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Submarine stranded in the Arctic inspired by a photo by Scott.. One shot in studio. Single exposure on 5x4 transparency film I made the icescape and Simon Cauty made the submarine.The sky was on a back projection screen.

Submarine stranded in the Arctic inspired by a photo by Scott.. One shot in studio. Single exposure on 5x4 transparency film I made the icescape and Simon Cauty made the submarine.The sky was on a back projection screen.

Emmerson Fitapaldi racing under the sponsorship of JPS. Agency Sharps. Acess to the car was so difficult we built a model and a slow moving track and I made a long exposure while the wheels and the track moved and the car stood still to keep the logo sharp

Emmerson Fitapaldi racing under the sponsorship of JPS. Agency Sharps. Acess to the car was so difficult we built a model and a slow moving track and I made a long exposure while the wheels and the track moved and the car stood still to keep the logo sharp

I built this enormous jigsaw from styrene and clay set on a glass table with gelled lights below it. I then set fire to it with lighter fuel several times and made an exposure for each on one sheet of film.

I built this enormous jigsaw from styrene and clay set on a glass table with gelled lights below it. I then set fire to it with lighter fuel several times and made an exposure for each on one sheet of film.

Simon cauty built this engine inside a dust bin and we set fire to it in the studio and used Co2 uner pressure for the internal fire extinguishers for a Kidde Graviner Ltd company report.

Simon cauty built this engine inside a dust bin and we set fire to it in the studio and used Co2 uner pressure for the internal fire extinguishers for a Kidde Graviner Ltd company report.

A great model bridge with a mass of tiny kight bulbs (pre LED)by Simon Cauty  in front of a background painting by Annie Millar. I used varnish on a painted board with ever reducing brush texture towards the back to effect false perspective.

A great model bridge with a mass of tiny kight bulbs (pre LED)by Simon Cauty in front of a background painting by Annie Millar. I used varnish on a painted board with ever reducing brush texture towards the back to effect false perspective.

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